Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Guglielmo Girardi
Dante,Guided by virgil bows before a relief depicting Emperor Trajan and the widow in canto X of the Purgatorio

ID: 34141

Guglielmo Girardi Dante,Guided by virgil bows before a relief depicting Emperor Trajan and the widow in canto X of the Purgatorio
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Guglielmo Girardi Dante,Guided by virgil bows before a relief depicting Emperor Trajan and the widow in canto X of the Purgatorio


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Guglielmo Girardi

The period of 1465-1535   Related Paintings of Guglielmo Girardi :. | Saint Sebastian | ateljen | Tobias und der Engel | Willem III op driejarige leeftijd in Romeins kostuum | The Recall of the Gleaners |
Related Artists:
FERNANDES, Vasco
Portuguese painter (active 1500-1542 in Viseu) Portuguese painter. He was the leading painter of northern Portugal during the first half of the 16th century, and it is probable that he received his training abroad. Fernandes is the best-documented Portuguese artist of the period; there are nearly 100 works attributed to him, some of which are securely documented and record his activity either alone or in collaboration with the Viseu painter GASPAR VAZ. Fernandes's most important work was carried out in Lamego and in Viseu, where the term Gr?o ('Great') used in praise of him is first recorded (Ribeiro Botelho Pereira). In 1753 the Director of the Dresden Gallery, Pietro Guarienti, first used the epithet when he referred to Fernandes by the name of Gran Vasco. The many myths about the painter and his work developed from this date and were not clarified until 1846
Leonard Defrance
Flemish Painter, 1735-1805
Jean Leon Gerome
French 1824-1904 Jean Leon Gerome Galleries French painter, sculptor, and teacher. Son of a goldsmith, he studied in Paris and painted melodramatic and often erotic historical and mythological compositions, excelling as a draftsman in the linear style of Jean-Auguste-Dominique Ingres. His best-known works are scenes inspired by several visits to Egypt. In his later years he produced mostly sculpture. He exerted much influence as a teacher at the Ecole des Beaux-Arts; his pupils included Odilon Redon and Thomas Eakins. A staunch defender of the academic tradition, he tried in 1893 to block the government acceptance of the Impressionist works bequeathed by Gustave Caillebotte.






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